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If the path to hell is really paved with good intentions, as my father always maintained, then the organizers of the raucous survey "High Times/Hard Times: New York Painting 1967-1975" at the National Academy Museum, should prepare themselves for an uncomfortable afterlife. (1) That this unwieldy, baggy monster of a show means well is beyond dispute. The concept is appealing: a close look at a little examined, provocative moment in the history of recent art. The subject is promising: the years when the aesthetic certainties of post-war abstraction began to weaken under the pressure of new materials, new formal possibilities, new political crises, and new social concerns. ...