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Spotlight: Tatsu Aoki; Making art that's collective.

Colorlines Magazine

| March 01, 2007 | Dumke, Mick | COPYRIGHT 2007 Color Lines Magazine. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

re: Rooted, the latest disc from musician Tatsu Aoki's Miyumi Project, begins with a few spare beats on a Japanese taiko drum. A second taiko joins in, then a third, followed by silence. For more than two minutes, the drumming builds and fades, finds a rhythm and drops off, starts a conversation and then lets it go. Finally, suddenly, it's joined by a burst of groove and melody from a trio of reedists, a violinist, and Aoki himself, his standup bass pushing the drummers' search into a joyous song.

It's a great example of Aoki's kind of music, a combination of Black improvisational jazz, Asian folk music, and his own spiritual quest. It's the product of a musical ...

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Source: HighBeam Research, Spotlight: Tatsu Aoki; Making art that's collective.

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