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KINGS AND KINGMAKERS.(Theater review)

The New Yorker

| March 19, 2007 | Als, Hilton | COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Kevin Kline is a recessive star, in the Fredric March mode, but not recessive to the point of becoming knotted up in his own acting, thank God. Like Robert Downey, Jr., he has an intelligence and a love of the game that often surpass the leaden productions in which he finds himself; he is an ironist, but one with heart. Even when he plays a big, showy character, such as his Tony Award-winning version of the swashbuckling Pirate King in the Public Theatre's 1980 revival of "The Pirates of Penzance," Kline maintains a certain skepticism; in that role, with his perpetually arched eyebrows a counterpoint to his thigh-high boots and bandanna, he repeatedly let us know that we ...

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