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The Museum of Modern Art's retrospective of the resourceful Vancouver photographic artist Jeff Wall is richly uneven. It suggests less a career than a case history, tracking an intellectually ambitious, morally earnest perfectionist through the fevers and chills of latter-day avant-gardism, in which he has starred for nearly three decades. Rarely are viewers permitted to relax and enjoy the intrinsic gorgeousness of Wall's signature medium--big color transparencies of cinematically staged, often digitally jiggered scenes, mounted on fluorescent light boxes. The prevailing style is realist, but it is regularly beset by mixed, toilsome aims: Wall has harbored enough motives ...