Africa Live: The Roll Back Malaria Concert.(Video recording review)

Africa Live: The Roll Back Malaria Concert. DVD. Directed by Mick Csaky. Paris: Ideale Audience International, 2005. DVD9M19. $24.99.

In 2005, Senegalese superstar Youssou N'Dour helped organize a concert in Dakar, Senegal, to generate support in the fight against malaria, a disease that continues to plague much of Africa. The Roll Back Malaria concert showcased some of the finest musicians in Northwest Africa, performing in a wonderful--if small--cross section of musical styles from the vast African continent.

Some common elements in all the performances were multiple percussionists (this being Africa, after all), and an aural fabric of ostinatos, usually played by one or more electric guitars. Otherwise the styles ran the gamut from ancient tribal to urban hip-hop.

Malian musicians seem to craft the most artful blend of traditional and modern styles, particularly Oumou Sangare, Salif Keita, and the group, Tinariwen. Oumou Sangare's band combines electric stringed instruments with djembes (hand drums), the harp-like kora, a single-string fiddle, a Western metal flute, and three backup singers who play large, beaded shekere-type wooden bowls as they sing and dance. Ms. Sangare's upbeat, high-energy song, "Tienadjan" lopes casually over a string ostinato as the backup singers shake and toss their beaded bowls in a synchronized performance of both dance and percussion.

Salif Keita is striking for many reasons. He is an albino with a powerful voice, a passionate Islamic spirituality, and an inspired sense of delivery. Over a spacious, pensive, trance-like groove he sings "Mandjou" like a call to prayer. His band includes the kora and balafon (marimba), along with a variety of percussionists, with an occasional synthesizer punch thrown in for punctuation and drama.

The group Tinariwen is billed as "Touareg," which is more an ethnic group than a place. Watching Tinariwen perform brings to mind scenes from composer/author Paul Bowles' novel Under the Sheltering Sky; it is a peek into a faraway, exotic culture. The band members are striking in their desert headgear but equally striking because of their instrumentation, which is comprised mostly of electric guitars. Their droning tribal sound has a clear pulse and rhythm, but the overall feel of the music is deliciously foreign to Western ears.

Most of the Roll Back Malaria concert bands play in a more modern pop style. Senegalese artists tend to perform in the mbalax genre, which is intensely polyrhythmic and dynamic.