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During the first half of the nineteenth century American architects, artists, and artisans faithfully followed, often in their own distinctive ways, the dictum of the eighteenth-century German archaeologist, scholar, and leader of the classical revival in Europe, Johann Joachim Winckelmann (1717-1768), who wrote: "There is only one way for the moderns to become great and perhaps unequalled: by imitating the Ancients." (1) The fascination with the classical past has left a prodigious legacy of art and artifacts, from templelike Greek revival buildings to paintings and sculpture imbued with symbolic mythological references and decorative arts that followed the forms and ...