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DIFFERENT STROKES.

The New Yorker

| February 05, 2007 | Schjeldahl, Peter | COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Vincent van Gogh's favorite color was yellow; Paul Gauguin's was red. It was not a trivial difference. It pertains to the clashing, deeply complementary temperaments of two painters whose idiosyncrasies, inseparable from their talents and ideas, became keynotes of modern art and templates of artistic personality. Little about either man fails to fascinate. Both came late to art: Gauguin, the elder by five years, after fitful success as a sailor, financial trader, and family man--he met Impressionist painters first as a collector of their work, then as a protege--and van Gogh after failures as an art dealer's assistant and a Protestant preacher. Gauguin was short but ...

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