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Byline: Megan O'grady
A fashionphile of any generation would be delighted to receive Balenciaga Paris (Thames & Hudson), by Pamela Golbin and Fabien Baron, an elegant catalog of pictures and archival sketches ranging from the heyday of Balenciaga's salon to the label's revival under Nicolas Ghesquiere. Fans of the cinema will treasure _Louise Brooks: Lulu Forever (Rizzoli), in which Peter Cowie explains, with the help of film stills and rare photographs, how a girl with black eyes and moxie to burn became a Jazz Age icon. For those with a passion for architecture and interiors, the gift to end all gifts is Charlotte and Peter Fiell's Domus 1928-1999, Vol. I-XII (Taschen), a beautiful set of highlights from the Gio Ponti-founded design journal, while those making plans for spring will find inspiration in American Gardens: 1890-1930 (Acanthus), by Sam Watters, the first of three sumptuous surveys of estate grounds of the period, from this continent's grandest of grandes allees to the singularly romantic pergola Stanford White built for his wife at Box Hill. Few books capture the feverish heights of horticultural connoisseurship as well as Florilegium Imperiale: Botanical Illustrations for Francis I of Austria (Prestel), by H. Walter Lack: 160 lush, life-size watercolors commissioned by the green-thumbed monarch.
For those whose bedside table is never without a biography, Kate: The Woman Who Was Hepburn (Henry Holt), by William J. Mann, is an incisive look at the blue-blooded screen legend whose deft creation of her own myth may startle even a Hollywood insider, while Amanda Vaill's superlative Somewhere: The Life of Jerome Robbins (Broadway Books) is a vivid account of a theatrical wizard. Humanists and animal lovers will appreciate Dale Peterson's generous tribute Jane Goodall: The Woman Who Redefined Man (Houghton Mifflin). For your favorite master of the universe, there's David Cannadine's Mellon: An American Life (Knopf), a compelling study of the formidable financier. But the personal history likely destined to be talked about most this season isn't quite a biography. Dave Eggers's What Is the What (McSweeney's Books), his best effort since A Heartbreaking Work of Staggering Genius, is an unforgettable coming-of-age story based on the life of Valentino Achak Deng, one of the Lost Boys of Sudan.
Public and private experience interweave to stunning effect in Annie Leibovitz's A Photographer's Life, 1990-2005 (Random House), a retrospective of renowned celebrity portraits, dramatic landscapes, and luminous candids of Leibovitz's own family-as well as a moving tribute to Susan Sontag. Photography aficionados will also appreciate Lola Alvarez Bravo (Aperture), by Elizabeth Ferrer, on the Mexican lenswoman known for her atmospheric street scenes and naturalistic portraiture-think Frida Kahlo with her beloved Xoloitzcuintle pups.
Shaking up the art-book genre is Tom Sachs (Fondazione Prada), by Germano Celant, a look at the sculptor known for his adroit satire of consumer culture-past works have included a Chanel guillotine-with commentaries by Malcolm Gladwell and Miuccia Prada. Two gorgeous monographs find fresh takes on ...