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JUST AS A DECENT PLOT or character wasn't safe near Shakespeare or his contemporaries, film-makers have been making and remaking each other's films L7 since the silent era. Sometimes it has been carefully concealed. Akira Kurosawa didn't let on until much later that the plot of his great samurai film Yojimbo, starring Toshiro Mifune, had been lifted from the Dashiell Hammett novel Red Harvest, where the American novelist's unnamed hero the Continental Op plays one criminal gang off against the other. In Kurosawa's hands there wasn't a trace of American idiom. The hero was a disillusioned wandering samurai, not a private eye, and the film was full of black humour, whereas ...