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In 1988, to commemorate Austria's annexation by Adolf Hitler fifty years earlier, a new play was commissioned from Thomas Bernhard. The author of eleven novels and more than twenty plays, Bernhard had a well-deserved reputation as the country's most provocative postwar writer: he spent his career alternately mocking and mourning Austria's Nazi legacy, which, with typical bluntness, he once represented as a pile of manure on the stage. At first, he declined to participate in the commemoration, saying with caustic humor that a more appropriate gesture would be for all the shops once owned by Jews to display signs reading "Judenfrei." But the author of plays like "The German ...