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WANTED: S.W.F., LOVES KEEF.(The Talk of the Town)

The New Yorker

| November 13, 2006 | Lyon, Shauna | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The persistence of the Rolling Stones, like that of diphtheria or kudzu, is a riddle of nature. As a band, they are easy to mock: a collection of wealthy gents adding to their fortunes each year by replaying their tunes of sexual dissatisfaction and satanic dread. The Stones are not so much a band as a corporate juggernaut like Citibank or Microsoft, and an enduring medical miracle: Can your grandfather even climb a tree, much less fall out of one, bash his head, survive, and still remember the changes on "Sister Morphine"?

As a matter of fiduciary responsibility, the Stones almost always play vast venues like Giants Stadium––a date at the Garden is considered tres intime––and the Baby Boomer fan comes to the event with three beers, two or more indulgent children, and the keys to the minivan; the Boomer then watches Mick and Keef on huge screens as the real Mick and Keef scuttle around on the stage. Martin Scor-sese, who is working on a documentary feature about the Stones, wanted a much smaller venue--something less Leni Riefenstahl, more Ingmar Bergman––and so the band agreed to play a couple of nights at the twenty-eight-hundred-seat Beacon Theatre, the Art Deco gem on the Upper West Side.

The theatre's orchestra section was made even smaller because Scorsese had set up seventeen large movie cameras; there were also three runways built to thrust out into the crowd, the better for Mick to do his prancing thing. Perhaps the most important equipment required, however, was a suitable-looking audience. Bill Clinton's charitable foundation had taken up a block of tickets for one of the concerts, but it would certainly not do, for Scorsese's purposes, to have John Podesta playing air guitar in the front row.

And so the movie people had ad-vertised for, and summoned, a flock of camera-ready fans through Shidoobee, a Stones Internet message board. In order to be considered, Shidoobees, as the fans call themselves, had to submit a photo and then wait to be called. If they were selected, they would be paid seventy-five dollars to attend the concert. The producers were evidently underwhelmed by the sexiness of the group on the first night, and so they took special pains for the second show, issuing a set of revised instructions to all would-be seat fillers:

, You should be dressed trendy, sexy, hip. Do not come looking sloppy or disheveled. Women really glam it up, but not trashy. You can wear Rolling Stones shirts or other band shirts but please do NOT wear the following: no fan club shirts, no logos (Nike, Coca-Cola), nothing too over the top and outrageous (wigs, crazy hats, etc.) and do not wear WHITE. . . ., ...

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