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Heartbroken wrecks.(Theater)(Heartbreak House)(Wrecks)(Theater review)

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| November 01, 2006 | Allen, Brooke | COPYRIGHT 2006 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Moral didacticism, usually of a political bent, is the curse of the contemporary theater and has been for some twenty years. In the hands of a less than subtle director or writer, the audience member's experience is too often that of being lectured to, even pummeled, for his own racism, sexism, hawkishness, or bourgeois values. It's too bad we don't have anyone around now like George Bernard Shaw, who managed to make playgoers scream with laughter while he insulted and humiliated them. But we do have a new production of Shaw's Heartbreak House, courtesy of the Roundabout Theater Company and directed by Robin Lefevre.

Heartbreak House (1919) was politically ...

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Heartbreak House.(Theater review)
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Picture from: NYPL Digital Gallery unknown January 1, 1934 700+ words
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