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New realities for the art museum.

New Criterion

| December 01, 2003 | Wayne, Kenneth | COPYRIGHT 2003 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The past few years have seen significant changes in the museum field, with some developments that will mark the field for decades to come. One interesting, and very. effective, development has been the noticeable increase in double-barreled exhibitions: "Matisse Picasso" (MOMA Tate, Pompidou, 2002-2003; curated by John Elderfield, Kirk Varnedoe, John Golding, Elizabeth Cowling, Isabelle Monod-Fontaine, and Anne Baldassari); "Van Gogh-Gauguin: the Studio of the South" (Art Institute of Chicago, 2001-2002; curated by Douglas Druick); "Manet-Velazquez: The French Taste for Spanish Painting" (Metropolitan Museum of Art, Reunion des Musees Nationaux/ Musee d'Orsay, 2003; ...

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Source: HighBeam Research, New realities for the art museum.

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