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Timeline vs. Storyboard.

Camcorder & Computer Video

| December 01, 2000 | Shapiro, Mark | COPYRIGHT 2000 Miller Magazines, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Video-Editing Technologies For Beginners To Professionals

There are many different ways of telling a story. Sometime you want to start in the beginning, sometimes in the middle, and sometimes you start at the end and work backward.

There are different ways to edit video, as well. Years ago, before electronic and nonlinear editing, many video and TV editors planned out their programs by first making notes of each scene on 3-inch by 5-inch cards and then shuffling them around to create a story. Shuffle, shuffle, rearrange, re-arrange. The editor could review the overall scene sequence with other members of the creative team before actually sitting down to cut the video and lay it down. By using index cards, the editor could get a good sense of the entire show's flow, timing and rhythm, as well as discovering any missing footage and action.

Fast-forward to today's editing technologies. Now, there are a cornucopia of digital and nonlinear video-editing systems, of all price ranges and levels of performance. Video editors are no longer locked into editing in a chronological sequence; they now have the freedom to experiment with arranging the scenes in any order and sequence. Regardless of the programs, prices and platforms, most offer either one of two styles of editing--storyboard or timeline. (Some video editing programs offer the capability to edit in both modes and to switch back and forth.)

Timeline & Storyboard Editing Modes

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