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The modernism of El Greco.(Art)

New Criterion

| November 01, 2003 | Wilkin, Karen | COPYRIGHT 2003 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"The most modern of Old Masters" declares a text panel at the beginning of this fall's stunning El Greco retrospective at the Metropolitan. Hyperbole, maybe, but it's easy to agree when we become engaged by this enigmatic artist's moody, ecstatic devotional paintings, losing ourselves in eyepopping color and crackling tonal shifts, brittle planes and unstable spaces or savoring the expressive exaggerations of confrontational portraits, instead of deciphering iconography or wondering about the identity of the sitters. No matter how much we know about the historical context of these pictures, no matter how firm a grip we have on the permutations of painting in the late ...

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