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The scabrous lyricism of Thomas Bernhard. .(Book Review)

New Criterion

| February 01, 2003 | Ormsby, Eric | COPYRIGHT 2003 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

With his elongated and bulbous nose, his pockmarked cheeks and his sly ruminative glance, invariably from under half-closed lids, Thomas Bernhard seemed more a Tyrolean version of W. C. Fields than the major shit-disturber of modern German literature. I mean this quite literally: as Gitta Honegger reports in her fine new book, (1) at the 1984- Salzburg premiere of his play Theatermacher (the English translation is misleadingly named Histrionics), an actual dung-heap, fuming and malodorous, held center-stage and served as a synecdoche for Austria itself.

In the third volume of his inimitable autobiography he writes: "All my life I have been a trouble-maker, and I ...

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