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Carmen Suite; Concertos for Orchestra Nos. 1 & 2. Mikhail Pletnev, Russian National Orchestra. DG 289 471 136-2.
Rodion Shchedrin (b. 1932) mostly weathered the storms of Soviet musical repression in the fifties and sixties, only to find favor in the latter stages of the Communist regime and, of course, today hailed as one of Russia's leading composers. His "Carmen Suite" from 1967 was initially banned by the government on the grounds that it was "an insult to Bizet's masterpiece and for its sexual treatment of the character of Carmen." Thanks to the intervention of Shchedrin's friend, Dmitri Shostakovich, did it become accepted.
The "Carmen Suite," in 13 short movements, naturally owes its melodies and inspiration to Bizet, from the operas Carmen and La Jolie Fille de Perth and from Arlesienne. The big switch is that it's arranged for a small string orchestra, timpani, and four groups of percussion. The result is vibrant and rousing, jazzy in its way, yet intimate, too. Conductor Pletnev and the DG engineers manage to convey the piece in clean, articulate, show-stopping manner and sound. The percussion, especially, ring out loud and clear. Although it is still not quite in the demonstration class for absolute depth ...