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THE SIAMANG On the day of the eclipse in Perth, where I had nothing else to do between appointments on my business trips, I decided to spend lunchtime at the Zoo. Ferries, yachts and motor boats upon the shining River Swan crossed each other in the sun which poured through branches in a stream of dust-motes. Outside the cafeteria where I bought a pre-wrapped sandwich, and where a trellis, strangled by wisteria ropes, dappled the pathway with shade, while rich mysterious scents were in the air, I rested on a wooden bench unconcerned by what that stench might be. Then I noticed, while pausing there, that some trick of refraction through the leaves made minuscule suns on the path, hundreds of them, with a section missing from each, as if they were sandwich buns someone had begun to devour, or like a coastline with a bight eroded off a point of light: it meant that we were approaching the hour when the moon would draw over the sun a shutter like a vast eyelid--the hour when those discs would cover each other like two yachts which were crossing paths on the Swan. A rending cry came through the leaves, as of a small child in agony, high and wild and brief. It wasn't my business; all the same, curiosity did seem to draw me on a walk toward the source of that repeated, piercing scream. An avenue of iron ...
Source: HighBeam Research, The Siamang. (Media).(Poem)