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Catalogues are something we take for granted in the twenty-first century. After all, these days temporary exhibitions as well as permanent collections are well documented with detailed and profusely illustrated volumes. The origins of this practice, however, can be traced to the seventeenth century.
David Teniers the Younger was a prolific and successful painter based in Antwerp, where he became dean of the Guild of Painters in 1645. His legacy to art history, however, arises from 1651, when he was summoned to Brussels by the archduke of Austria Leopold Wilhelm to act as court painter. Leopold Wilhelm formed one of the greatest art collections of his age, and in addition to his painting duties Teniers became its curator.
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Teniers took his curatorial duties seriously, and they took two forms. The first was a pair of paintings depicting Leopold Wilhelm in his picture gallery (see illustration above), which show a large selection of his more than 1,300 works of art, as well as the collector and some of his influential friends. ...
Source: HighBeam Research, The theater of painting.(artist David Teniers)