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"Erotic prudery"? (Art).

New Criterion

| November 01, 2002 | Panero, James | COPYRIGHT 2002 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

If you were to choose among Francois Boucher (1703-1770), Jean-Simeon Chardin (1699-1779), Jean-Honore Fragonard (1732-1806), and Jean-Baptiste Greuze (1725-1805), Greuze is certainly the big eighteenth-century French painter who got away. He is perhaps best known for Broken Eggs (1756, Metropolitan Museum), which, like so much of French art from the eighteenth century, is about sex, but which communicates none of the consequence-free kewpie fantasies of his contemporaries. A young woman sits by a spilled basket of her cracked and over-easy innocence; her parents guffaw and point; a little boy stands beside a half-barrel table attempting (of course in vain) to reassemble ...

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