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edited by Yuval Taylor. Chicago Review Press/Independent Publishers Group (814 N. Franklin St., Chicago, IL 60610), 2002. 256 pp., $16.95.
In 1902, Jelly Roll Morton claimed to have invented and coined the term "jazz." During the last 100 years, jazz has gone through many forms and levels of legitimacy. Jazz now is an academically respected art form. Universities confer bachelor- to doctoral-level degrees to aspiring jazz musicians and scholars.
With this academic legitimacy comes an extensive literary and pedagogical library. The last few decades have produced mountains of books, methods, histories, playa-longs, transcriptions, philosophies and criticisms on almost every aspect of the art of jazz.
The Future of Jazz is a bit different. Yuval Taylor has collected witticisms from ten jazz critics, each written on a specific topic. Nine of the critics are based in the United States, one is in England and they all are male. Each topic then is critiqued by the other critics, making for very lively reading.
The ten topics are mainstream jazz; jazz and race; jazz-rock; ...