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One of the most revered cultural traditions in Japan is the theater, or more specifically Noh and Kyogen. Noh originated in the fourteenth century as a spectacle that incorporates dance, music, drama, and literature. It is highly esteemed for the sumptuous costumes and masks that are part of its stylized structure. Like Noh, Kyogen has its mots in popular street entertainments of the fourteenth century, but it evolved into a form of comedy used as an interlude between two, much more weighty, Noh plays. While Noh relies on music and dance, Kyogen depends on dialogue and mime.
An exhibition currently on view at the Los Angeles County Museum of Art examines the evolution of these two theatrical forms. It is entitled Miracles and Mischief Noh and Kyogen Theater in Japan and includes more than one hundred costumes (on view in two installments), musical instruments, more than thirty masks along with a selection of tools used to make them, and eleven seventeenth- and eighteenth-century screens, band scrolls, and albums that include scenes of the theater. The first selection of costumes is on view until December 15, and the galleries will be closed to the public on December 16, 17, and 18 so that the second group of costumes can be installed. This second selection and all of the other ...
Source: HighBeam Research, Japanese theater. (Current and Coming).