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TOWARDS THE END of The Wind on the Water, Myra Norris's fine 1938 novel set in the interwar years, the focus shifts from a seedy and dilapidated pub to an old homestead situated on a small hill on the other side of an intervening lake. When the weather clears after a couple of days of heavy rain Rennie Hurley, a wealthy dilettante who has taken a lease on the old homestead, leads his lover into its garden and reads her poetry while they sit beneath an almond tree and gaze across the flood-swollen waters of the lake.
Hurley reads two poems to his lover, whose husband runs the pub in the distance. The first is a Chinese poem (no author given) called "The Ancient ...