AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
GARY OWEN At four, the city's lights go black, the cliques Light their lanterns, shout and strike A city-wide unison. Carnival comes Once more to Basel, to the Gothic streets, to The Totentanzgasslein, to the Mansterplatz, Fasnacht to chase out winter, to bring Spring to the Rhine. The bands, being Swiss, All play the same set of tunes, fifes and drums And the blood-soaked hymnody that belongs To fifes and drums, here defanged, declawed, Neutered; the bands, being Swiss, know how to keep An ancient facade intact while gutting The structure inside of function, remaking It clean, cosy, quaint and nice, gemutlich. The bands play the marches straight and at tempo, Slow step that kept the well-flogged infantry Plowing through grapeshot in a well-dressed line, Till the survivors could close to fifty yards, volley, And finish it with the bayonet. The masks, The costumes, the occasion itself launder And mitigate these tunes, that for me still bite: "The Grenadier Guards", "The Girl I Left Behind Me", "Garry Owen", Custer's own signature tune. How many movies did I see where he thundered Through his fake Wild West until at last glory Caught up and he died, ham acting to the last Frame, all to the glory of Garry Owen? At first light, I head home chilled, sleep-lagged, soaked To the bone's marrow with fifes, with drums, in Remembered battle that I really don't ...