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OVERTURES.(Brief Article)

The New Yorker

| October 07, 2002 | Ross, Alex | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The Berlin Philharmonie, Hans Scharoun's gold-yellow masterpiece of late-modern design, was once a temple in a wilderness. Even in 1995, when I last visited Berlin, the wreckage of history was all around: the gray crevasses where the Wall had stood; the Wilhelmine villas crumbling in the woods; the eerie meadow covering the site of Hitler's bunker. Now the Philharmonie presides at the far end of the new avenues of Potsdamer Platz, its tilted, tentlike forms grabbing the eye at every turn. The "new Berlin" takes its cue from the Philharmonie, and the heightened glamour of the hall creates an exceptional challenge for the musicians who work within it. The Berlin ...

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