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Hello Molly Ayre, goodbye Art: the fate of high comedy. (Theatre).

Quadrant

| September 01, 2002 | Buzo, Alex | COPYRIGHT 2002 Quadrant Magazine Company, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

DEVOTEES OF TRANSCRIPTESE have enjoyed seeing Gore Vidal, Henrik Ibsen and Ionesco appear in print as Gorver Dahl, Henry Gibson and Ian Esko, and may fantasise that Moliere will complete this jaunty quartet by being listed as Molly Ayre. It would mark the apogee of a dumbed-down society, but it is unlikely to happen. Moliere is the creator of high comedy and has joined his fellow practitioners William Congreve, Philip Barry and G.B. Shaw on the back benches of our culture. No one wants to produce or watch high comedy, any more than they want to pick up pins wearing boxing gloves, so its most accomplished exponents simply do not get mentioned. At least they avoid ...

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