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Sights and Sounds.(Brief Article)

The New Yorker

| July 29, 2002 | Rozzo, Mark | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"The '45' is here to stay, and let there be no doubt about it!" These were the words of Frank Folsom, the president of RCA Victor, who unveiled the revolutionary seven-inch, forty-five-r.p.m. record in 1949. Folsom may have been guilty of wishful thinking (the introduction of the compact disk in the nineteen-eighties spelled doom for the 45), but his statement remains fairly accurate: vintage singles, made of "indestructible" vinyl, remain the stuff of collectors' avid nostalgia, spurred on as much by the records' eye-catching packaging as by the crackly sounds retained in their microgrooves. The art of the 45--which included contributions from Pablo Picasso--is explored in the forthcoming 45 RPM (Princeton Architectural Press), a mammoth tribute to the orphaned format edited by Spencer Drate, himself a graphic designer for the music industry.

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