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PERFORMANCE.(Brief Article)

The New Yorker

| September 09, 2002 | Parker, Ian | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

From 1975, Hendrik Hertzberg on the Rolling Stones at the Garden

One afternoon last month, Mick Jagger was standing in front of a full-length mirror in a windowless room in downtown Toronto, plucking at the cloth of a pair of narrow black satin pants that had been made for him by Hedi Slimane, the designer at Christian Dior Homme, in Paris. "They're a bit, a bit--for want of a better word--feminine," Jagger said, in the over-enunciated, borderline-camp accent that honors distant roots in post-war British show business: a world of variety acts and Soho drag queens. Looking at the pants from one angle and then another, he said, "They're all right to wear for ...

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