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ENVELOPE ART.(Edward Gorey)

The New Yorker

| July 08, 2002 | Sheehan, Susan | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

For years before his death, in April, 2000, Edward Gorey lived with a great deal of clutter, and as many as six cats, in a rambling house facing the village green in Yarmouth Port, Massachusetts. That house has recently been opened as a museum, and the clutter has been replaced by cases displaying hand-colored artwork and personal effects: Gorey's first pair of baby shoes; an inkwell and a set of watercolors; some of the rings he wore, half a dozen at a time; and excerpts from journals he had kept since childhood.

Andreas Brown, the owner of the Gotham Book Mart, who was a close friend of Gorey's and an executor of his estate, worked at the house every weekend for more than a year, cataloguing its contents and reading through the journals. It was a treat, filled with insights and mysteries. Gorey was an obsessive man; some of the notebooks were just lists of movies he had seen, where ...

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