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THE GLOBAL SALON.(installation art; various artists; Kassel, Germany)

The New Yorker

| July 01, 2002 | Schjeldahl, Peter | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Amid the hundreds of works in Documenta 11, an event that trumpets the artistic entropy and civic pep of today's international art institutions, I kept returning to a marvellous video installation--a digital short story, essentially--by the Finnish artist Eija-Liisa Ahtila. "The House" is about a pleasant young woman going quietly mad one nightless Baltic summer at an old seaside cottage in a forest. She tells of the difficulty she's having in maintaining boundaries between her interior life and objective reality. Whatever she sees or hears outside the windows--her garden, her car, a passing ship--invades and commandeers her consciousness. Ahtila's stately, glorious color ...

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