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GROWING UP.(development of ballet dancers in the American Ballet Theater and the New York City Ballet)

The New Yorker

| July 01, 2002 | Acocella, Joan | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In ballet, one of the hardest things to predict is how a young dancer will develop. At New York City Ballet over the past two decades, talent after talent has turned up, pink and shiny, only to succumb to the mixture of anxiety and ennui that seems to rule the company these days. (Last month, it was announced that Monique Meunier, the most grievous of the troupe's stalleddevelopment cases, is finally leaving. She will join American Ballet Theatre in the fall.) Of course, there are exceptions. Jennie Somogyi, who joined the company almost eight years ago, is now showing the same kind of miraculous flowering that we used to see in young Balanchine ballerinas: week by week, ...

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