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WALKING ALONE.(musical legacy and biography of Richard Rodgers)

The New Yorker

| July 01, 2002 | Lahr, John | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

When the composer Richard Rodgers died, in 1979, after sixty-two years in show business, forty musicals, and more than nine hundred songs, Lionel Trilling--an eminence grise not given to hyperbole--announced, "Few men have given so much pleasure to so many." Leonard Bernstein said, "He has established new levels of taste, distinction, simplicity in the best sense, and inventiveness." Rodgers's music, alternately mischievous and elegant, playful and brooding, stately and surprising--what Ethan Mordden called his sunbeam of melody--sometimes struck a sentimental note but never a vulgar one. To speak the titles of some of his most famous songs--"Isn't It Romantic?," "Some ...

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