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To visit the Winterthur Museum, in Winterthur, Delaware, is to encounter masterpieces of American decorative arts that comprise a comprehensive survey of our artistic heritage from 1640 to 1860. The works are installed in period-room settings that are the legacy of the museum's founder Henry Francis du Pont (1880-1969). Much has been written about the man and his museum, to which this magazine devoted its January 2002 issue on the occasion of the museum's fiftieth anniversary.
From May 5 through October 6 visitors to the National Gallery of Art in Washington, D.C., will be able to see more than three hundred objects from the museum in gallery settings. These comprise paintings, furniture, textiles, prints, drawings, ceramics, glass, and metalwork drawn from some eighty-five thousand objects in the museum. All the objects in the show were made or used in this country, and many hear labels, inscriptions, brands, and other marks associated with their makers, or are firmly documented as to their place of origin.
The exhibition is installed both chronologically and thematically. It opens with a section entitled "Early Settlement and Sophistication," which includes objects made during the late seventeenth century chiefly by newly arrived English and European immigrants, which reflect the artistic traditions of the craftsmen's homelands. The next section, "Passion for Rococo," treats artists and craftsmen working in the Chippendale or rococo style in Philadelphia, Charleston, and Boston during the mid-eighteenth century. The next section explores the theme of "East Meets West" and the omnipresent influence of the trade with China that both Americans and Europeans enjoyed during the eighteenth century. In this section Chinese export porcelains and ceramics made in Europe in imitation of these popular wares are installed with the luxurious textiles that were hand-painted or printed in India for export to the West. Chinese lacquered furniture inspired American craftsmen to produce ...