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O.K. Chorale: an English take on Rodgers and Hammerstein.(The Theatre)

The New Yorker

| April 01, 2002 | Lahr, John | COPYRIGHT 2002 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In 1959, when Richard Rodgers and Oscar Hammerstein II were beginning work on "The Sound of Music" -- the story goes -- their co-producer Richard Halliday, who was also the husband and manager of the show's star, Mary Martin, came to them with a great idea for her first entrance: she would be discovered in a tree and, as she climbed down, catch her bloomers on a branch. Rodgers and Hammerstein rejected the idea out of hand. Halliday was incensed. "You know what's wrong with you guys?" he said, stalking out. "All you care about is the show!"

In that joke lies the essence of Rodgers and Hammerstein's revolution in musical storytelling, which began in 1943, with ...

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