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Kingdom Come; Hymnodic Delays; Fog Tropes II. (More Jazz Than Not).

Sensible Sound

| January 01, 2002 | COPYRIGHT 2002 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Ingram Marshall: Kingdom Come; Hymnodic Delays; Fog Tropes II The American Composers Orchestra/Paul Lustig Dunkel, cond.; The Theater of Voices/Paul Hillier, director; Kronos Quartet (Nonesuch 79613-2)

It is still hard for me to realize that it has been nearly two decades since I have listened to the music of Ingrain Marshall (b. 1942). He is a composer whose music I had found interesting back when I was in graduate school (I wrote a review many years ago of an LP that contained the first Fog Tropes, which was arranged for brass and tape), but then I just simply lost track of him. When I ran across this new release recently, my curiosity was piqued, and I just had to purchase this CD and give it a listen as soon as I got home. After a few minutes of listening, it was as though I had rediscovered a long-lost friend.

The opening notes of Kingdom Come bring to mind Sibelius's The Swan of Tuonela, but in the sense of homage, not imitation. Marshall likes to integrate "found" sounds into his music, and in Kingdom Come we get choirs, a priest intoning, and other sounds worked into the composition. It might sound like a mess, but it works. This is a moving piece, a comforting piece, one that seems ...

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...foreign" element usually ends up submitting to the dominant tradition, like a colonial conquest. With Ingram Marshall's Fog Tropes II for quartet and tape, the crucial thing was atmosphere. Distant booms like Tibetan trumpets, or maybe fanciful underwater...
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Source: HighBeam Research, Kingdom Come; Hymnodic Delays; Fog Tropes II. (More Jazz Than Not).

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