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Matthew Locke. Consorts in Two Parts. Masques. Dorian DOR-90300, 2001.
Given his relative obscurity in our time, it is easy to forget that at the peak of his career in the late 1660s, Matthew Locke was probably England's most prominent composer, writing for the private pleasure of the British king and queen and enjoying great success as a composer for the theater. While his compositions regularly appear on compilations of British vocal and chamber music of the late Renaissance, albums entirely devoted to his chamber music are relatively ...