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With the recent publication of yet another autobiography by a notorious thirtysomething author, the literary form that James Merrill called the "me-moir" has officially become the me-me-me-moir. These days, the self-reflection industry is booming, so much so that a new crop of meta-memoirs has begun to appear in stores. ENOUGH ABOUT YOU: ADVENTURES IN AUTOBIOGRAPHY (Simon & Schuster), by the novelist and essayist David Shields, is based on two puckish tenets: "What I ultimately believe in is talking about everything until you're blue in the face" and "If I'm not writing it down, experience doesn't really register." Shields's apologia for the genre is also a work of literary criticism, and, as he relates anecdotes about his stammer and embarrassing moments at the Iowa Writers' Workshop, he considers the role of personal experience in books like Renata Adler's "Speedboat" and George W. ...