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When art becomes inhuman. (Bird's Eye).

The American Enterprise

| January 01, 2002 | Zinsmeister, Karl | COPYRIGHT 2002 The American Enterprise, a national magazine of politics, business and culture (TEAmag.com). This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Many of today's avant-garde artists, I've decided, have modeled themselves on that well-known societal fixture, the snot-nosed teenager. Since the 1960s, the hippest modern art has aspired to exactly what every garden-variety 13-year-old brat aims for: maximum opportunities to shock, flout, insult, and otherwise chuck rocks at polite society.

And so "artists" spread American flags on the floor and invited gallery and museum patrons to walk on them. "Sculptors" stacked bricks in low heaps and convinced collectors to pay bags of money for something they could have made themselves after a shopping trip to Home Depot. Damien Hirst piled up empty beer bottles, ...

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