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DOUBLE OR NOTHING.(Merce Cunningham Dance Company)(Dance Review)

The New Yorker

| November 03, 2003 | Acocella, Joan | COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

At the Merce Cunningham Dance Company's recent show at the Brooklyn Academy of Music, the average age of Cunningham's audience seemed to have dropped by about thirty years, and that is because the troupe, normally a rather egghead enterprise, chose to perform to rock music this season. Cunningham was one of the creators of America's mid-century modernism, as, more famously, was his lifelong collaborator, John Cage, who died eleven years ago. Accordingly, the Cunningham company, for most of its history, has performed to the sort of arrhythmic, ametric, amelodic "new music" that Cage and his cohort produced: somebody making electronic static, somebody shaking beans in a ...

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