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COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
Though Ann Roth doesn't like to toot her own horn, or pat herself on the back, or really talk about what she does at all, she will say this: she totally gets the aesthetic of the working girl, and when she dressed Melanie Griffith for the movie that was a paean to said girl she could envision Griffith's character--the hair, the shoulder pads, the unforgettable running shoes--right down to which drawer she kept her nude hose in.
This fall, Roth is presiding over a vast hangar at the Philadelphia Naval Yard, where she is designing the costumes for a new M. Night Shyamalan movie about an isolated utopian community in the nineteenth century. The hangar...
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