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Carl Philipp Emanuel Bach. Die Auferstehung und Himmelfahrt Jesu.(Sound Recording Review)

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| September 01, 2003 | Anderson, Rick | COPYRIGHT 2003 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Uta Schwabe; Christoph Genz; Stephan Genz; Ex Tempore; La Petite Bande/ Sigiswald Kuijken. Hyperion CDA67634, 2003.

Although excerpts can be found on a number of compilations, C. P. E. Bach's fine Easter oratorio has rarely been recorded in its entirety; a 1988 recording on the Capriccio label by the Rheinische Kantorei and Kleine Konzert under Hermann Max (10-206-207) is long out of print. Even in a crowded field, however, this performance would stand out. The work itself is the second of three that C. P. E. Bach composed after leaving the court of Frederick the Great, and it was almost certainly intended for performance in a concert hall rather than a place of worship. Based on a libretto by Karl Wilhelm Ramler, the piece does not dramatically depict the events of Christ's resurrection and assumption as much as it celebrates them by means of music that is ...

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Source: HighBeam Research, Carl Philipp Emanuel Bach. Die Auferstehung und Himmelfahrt...

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