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Music Theory and Analysis 1450-1650, proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999.(Book Review)

Notes

| September 01, 2003 | Erviti, Manuel | COPYRIGHT 2003 Music Library Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Edited by Anne-Emmanuelle Ceulemans and Bonnie J. Blackburn. (Publications d' histoire de l'art et d'archeologie de l'UCL, Serie generale, C. Musicologica Neolovaniensia, Studia 9.) Louvain-la-Neuve: Departement d'histoire de l'art et d'archeologie, College Erasme, 2001. [vii, 440 p. ISBN 2-930314-01-X.]

Although early music theory and analysis is alive and well, relatively few collections of essays devoted to the disciplines have appeared in the last dozen years. Recently joining an essential volume of wide-ranging analytical articles, Models of Musical Analysis: Music Before 1600, edited by Mark Everist (Oxford: Blackwell, 1992), are the more pitch-focused ...

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