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Belle Epoque Paris may have greeted John Singer Sargent's portrait of Madame X with derision, but the luminously pale model he captured has become an icon. Deborah Davis sets out to revive the woman behind the image in Strapless: John Singer Sargent and the Fall of Madame X (Tarcher). She depicts Virginie Amelie Avegno Gautreau, "Paris's hottest 'it' girl," as a narcissistic socialite whose greatest fear was to be ignored. Davis speculates that Sargent, as a result of his infatuation and sexual confusion, conflated Gautreau's profile and that of a young artist, Albert de Belleroche, into a single object of desire in sketches and paintings. Though the portrait's poor reception at the 1884 Salon proved only a temporary setback for the artist's career, Gautreau's social reputation never recovered from her association with the painting, and she was further ...