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BODY LANGUAGE.

The New Yorker

| October 30, 2006 | Frere-Jones, Sasha | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The title of Janet Jackson's new album, "20 Y.O.," is both an invitation to take note of her perpetually youthful looks (aided by the ritual magazine photographs of her near-naked, now forty-year-old body) and a directive for how to think about her career. Jackson, like her eight siblings, began performing as a child--much longer than twenty years ago. In the nineteen-seventies, she played the innocent, physically abused preteen Penny Gordon on the TV series "Good Times," and in the early eighties she recorded two not particularly good or popular albums. Then, in 1986, she released "Control," the record that she evidently considers to be the true starting point of her ...

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