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Andrew Porter, who wrote warmly erudite music criticism for this magazine from 1972 to 1992, used to travel out of town for stagings of neglected Russian operas, commenting that even a threadbare production of something like "Ruslan and Ludmila" gave off more sparks than a lot of standard operatic fare. This was before the advent of Valery Gergiev, the fiery angel of the Russian repertory, who has seemingly sworn not to get a full night's sleep until Glinka's operas are as familiar as Puccini's. Early this month, Gergiev arrived in town with the collected forces of the Maryinsky Theatre, of St. Petersburg, bearing his latest enthusiasms. The company gave twenty ...