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The New Yorker

| September 11, 2006 | Sragow, Michael | COPYRIGHT 2006 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

HILL ON THE PLAINS -- In the making-of documentary attached to the Western epic "Broken Trail" (Sony), Walter Hill, the co-producer and director of this three-hour 2006 AMC miniseries, defines the genre in terms of men working things out for themselves without recourse to civilization. That fits the expansive, lyrical "Broken Trail" as well as Hill's brilliantly claustrophobic pilot episode of "Deadwood" (2004), which won him an Emmy (and is available in the first-season boxed set from HBO). In "Broken Trail," set in the late eighteen-hundreds, Robert Duvall plays Print Ritter, an old rancher who enlists his nephew, Tom Harte (Thomas Haden Church), in a five-hundred-head horse drive. En route from Oregon to Wyoming, they become the guardians of five young Chinese beauties about to be delivered into whoredom. Tom and Print bring Old Testament justice as well as charity to their mission, and Hill imbues every killing of an animal or a human with its full weight and shock. The romance of the genre emerges partly from the exhilaration of pioneers moving through a verdant, open landscape, coaxing tons of horseflesh to do their bidding. But it also comes ...

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