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Vaughan Williams: A Sea Symphony.

Sensible Sound

| June 01, 2003 | Puccio, John | COPYRIGHT 2003 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Robert Spano, Atlanta Symphony Orchestra and Chorus. Telarc CD-80588.

On the one hand I have to applaud maestro Spano for choosing Vaughan Williams' First Symphony, "A Sea Symphony," as a vehicle for displaying the talents of his Atlanta orchestra and chorus. On the other hand, I have never personally found the "Sea Symphony" of any supreme interest, although I can appreciate the poems by Walt Whitman upon which it is based. I mean, the idea of 60 or 80 people singing in unison "Behold the sea!" sounds a little silly to me.

Nevertheless, it never stopped me from at least bearing up to Sir Adrian Boult's old EMI recording of the work, nor Haitink's newer EMI one. Strange, then, that I took no interest whatever in this newest rendition. I suppose it's because I didn't find Spano's overly literal interpretation all that inspiring. He seems to approach the work in too straightforward a manner, with little of the warm, expansive, expressive feel of Boult, especially. These four movements are supposed to be largely programmatic, with titles like "A Song for All Seas, All Ships," "On the Beach at Night, Alone," ...

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