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BIOPERVERSITY.('Oryx and Crake')(Book Review)

The New Yorker

| May 19, 2003 | Moore, Lorrie | COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The novelist Margaret Atwood has wandered off from us before: once, in 1986, to the mid-twenty-first century, for a feminist dystopia, "The Handmaid's Tale,"in which women are enslaved according to their reproductive usefulness; another time, in 1996, to the nineteenth century, to make thrifty use of her graduate work at Radcliffe in the faux-Victorian novel "Alias Grace."These were forays and raids. In her chronicling of contemporary sexual manners and politics, Atwood has always been interested in pilfering popular forms--comic books, gothic tales, detective novels, science fiction--in order to make them do her more literary bidding. Her previous novel, "The Blind ...

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