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MONSTRES SACRES.(Cet Amour-La)(Movie Review)

The New Yorker

| April 14, 2003 | Denby, David | COPYRIGHT 2003 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In "Cet Amour-La,"we first see him on the beach: a tall, slender, mild-looking young man in a white suit, with a pursy little mouth and the dead eyes of a depressive. He calls her up and goes to her apartment. She lets him in. Then she changes her mind; she is brisk and insulting, glaring at him in indignation. Finally, she allows him to stay, but strictly on her terms: he will listen to her words; he will type her manuscripts; he will let her drink. And so the scandalous affair begins. In 1980, at the age of sixty-six, during a fallow period of her working life, the novelist, screenwriter, playwright, and director Marguerite Duras took as a lover a twenty-eight-year-old ...

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