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(V2)
Bass players cringe at the very notion of a band without bass. You wanna leap on to the stage, whip out your Fender Jazz Special, plug into a Bassman head sitting on top of a big ol' JBL EL 40, and show `em what it's about. You give `em the eye, "What were you thinking?" But guitarists going it with only a drummer in tow somehow seem to pull it off: Bryan Harvey and Johnny Hott's House of Freaks, Hound Dog Taylor and the Houserockers, even Junior Kimbrough all eschewed the bottom end (Kimbrough would glare back, "Jes another mout' to feed ...'). So it is with The White Stripes, brother and sister Jack (guitar, piano) and Meg (drums) White, born and bred in Detroit, Hound Dog Taylor's old stomping grounds.
After their 1999 eponymous debut and 2000's De Stijl, The White Stripes' red, white, and black visual palate has emerged as distinctively as their spare, blues-inflected sound. White Blood Cells finds them expanding their recorded oeuvre to match their raucous live sets, which can leap from Kinks-ish pop to raw blues to country pickers in a careening, yet cohesive melange. White Blood Cells opens with "Dead Leaves and Dirty Ground," a Zeppelin-like rocker, which is quickly followed by "Hotel Yorba," a country loper that Loretta Lynn ...
Source: HighBeam Research, The White Stripes, White Blood Cells.(Sound Recording Review)